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🎬 Are Film Comebacks Failing Again? What Went Wrong with Na Baligh Afraad?

Last updated: June 18, 2025 7:55 pm
Syeda Insherah
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There was a time when the duo of Nabeel Qureshi and Fizza Ali Meerza guaranteed a hit at the Pakistani box office. After the massive success of the Na Maloom Afraad franchise, expectations were sky-high for their latest film, Na Baligh Afraad. But despite the hype, the film struggled to make an impact both in cinemas and in the audience’s hearts.

đź’Ą Was the Film Really a Flop?

Released on Eid-ul-Fitr 2024, Na Baligh Afraad featured a fresh young cast including Samar Jafri (of Mayi Ri fame), Aashir Wajahat, and Rimha Ahmed.

However, shortly after release:

  • Cinema attendance dropped sharply.

  • There was little to no social media buzz no viral scenes, no memorable quotes.

  • YouTubers and film critics called it “a confused mix of comedy and chaos with no depth.”

đź§  Where Did It Go Wrong?

  1. Talented cast, weak story:
    The young actors gave it their all, but the flat storyline and sloppy script didn’t let them shine.

  2. Experiment or misfire?
    The film tried to speak in the voice of the youth — but the tone was off, and the execution felt forced.

  3. Tough competition:
    Other Eid releases, strong TV content, and Indian OTT films outshined it quickly.

  4. Old formula in a new era:
    The classic Na Maloom Afraad-style chaos and slapstick doesn’t land the same way anymore.

📉 What This Means for the Industry

The failure of Na Baligh Afraad isn’t just about one film it raises a bigger question:
Do our filmmakers really understand what the modern audience wants?

Pakistani cinema keeps attempting comebacks, but poor scripts or outdated presentation keep pulling it back. Today’s youth want content that’s bold, real, and emotionally charged not just another star-studded comedy chase.

✍️ Final Thoughts

This might just be a bump in the road for a seasoned filmmaker like Nabeel Qureshi but Na Baligh Afraad feels like a wake-up call. The audience no longer buys tickets for big names alone. They want stories with substance, style, and sincerity.

Making films isn’t easy but in 2025, understanding your audience is more essential than ever.

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