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Entertainment

Dwayne Johnson Responds Gracefully to The Smashing Machine’s Box Office Failure

Last updated: October 8, 2025 6:25 pm
Abdul Qavi
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Dwayne “The Rock” Johnson is taking the recent box office disappointment of The Smashing Machine in stride, framing it as part of the artistic journey rather than a failure.

A rare low point

When The Smashing Machine opened domestically over the weekend, it brought in just $6 million—the lowest opening Johnson has seen in his career. People.com+2EW.com+2 The film, a biopic where Johnson portrays MMA legend Mark Kerr, was widely anticipated—but commercial success hasn’t followed. Wikipedia+4EW.com+4People.com+4

“Can’t control box office results”

On Instagram, Johnson expressed gratitude to the audience that saw the film, while offering a grounded perspective on what he can and can’t influence. He wrote:

“In our storytelling world, you can’t control box office results — but what I realized you can control is your performance, and your commitment to completely disappear and go elsewhere.” People.com

He also thanked director Benny Safdie for trusting him and challenged himself to see this project not as a win or loss, but as a transformational experience. People.com+1 Johnson went so far as to say, “Truth is this film has changed my life.” People.com+1

Breaking away from the “action star” mold

Johnson has long been boxed into the role of larger-than-life blockbuster hero. In recent months, he’s spoken openly about feeling “pigeonholed” by Hollywood’s expectations—where success is measured in box office dollars. EW.com+1 With The Smashing Machine, he seemed to intentionally stretch that identity, embracing drama, vulnerability, and a more introspective performance. EW.com+3SFGATE+3GamesRadar++3

The film has already earned critical nods. At its Venice premiere, The Smashing Machine was met with a lengthy standing ovation, and Johnson’s transformation—from prosthetics to physique—has drawn high praise. EW.com+5SFGATE+5GamesRadar++5

What’s next

Johnson’s response signals that he sees this moment as a pivot rather than a setback. His focus seems less on the numbers—and more on the creative risks, emotional depth, and legacy of his work.

He appears ready to accept that some films will win hearts more than wallets. And for him, the real measure of success may now lie in how deeply he’s changed through the role—and what doors that opens for his future in film.

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