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Entertainment

CM Murad Opens Renovated Building of School of Visual & Performing Arts

Last updated: December 2, 2025 1:28 pm
Abdul Qavi
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Karachi’s Arts Council was buzzing a little louder than usual on Monday night. Maybe it was the echo of dhol drums bouncing off freshly restored walls, or the mix of artists, students, diplomats and officials weaving through the courtyard with that unmistakable sense of pride. Whatever it was, the moment felt bigger than just another ribbon-cutting.

Contents
A Space Reborn: What’s New Inside SOVAPAA Cultural Celebration, Not Just a CeremonyWhy This Moment Matters for Karachi’s Creative LandscapeA Night That Ended With Hope

Sindh Chief Minister Syed Murad Ali Shah officially inaugurated the newly renovated building of the School of Visual and Performing Arts (SOVAPA) — a milestone that the city’s creative community had been waiting on for years.


A Space Reborn: What’s New Inside SOVAPA

Walk into the revamped structure and it’s obvious that this isn’t just a coat of paint. The building has been completely rethought — underground sections expanded, older parts restored instead of replaced, and departments reorganized under one coherent, modern roof.

Fine Arts, Theatre, Music, Textile Design, Communication — all finally in one place, with classrooms that look and feel like they belong in a proper arts academy, not an improvised setup.

Even CM Murad couldn’t help but point this out, saying the upgrade wasn’t just aesthetically pleasing but “an investment in creative talent that has long deserved institutional support.”

There’s also quiet talk — more than just wishful thinking — about eventually transforming SOVAPA into a full-fledged arts university. For Karachi, that would be huge.


A Cultural Celebration, Not Just a Ceremony

The inauguration had its official moments, of course. Speeches, a plaque unveiling, the usual.
But the atmosphere outside the hall told a richer story.

Folk musician Fazal Jutt and his group welcomed guests with a lively dhol performance that instantly set the tone. Inside, you’d spot artists from Japan, Iraq, Singapore — some of whom were in town for the World Culture Festival — mingling with local theatre students and senior Pakistani performers.

A touching highlight came when the Chief Minister met a Singaporean dance troupe that included children with Down syndrome. Their presence added a layer of inclusivity to the event that many visitors found uplifting.


Why This Moment Matters for Karachi’s Creative Landscape

SOVAPA didn’t start as the polished institution it’s shaping into today. It grew slowly — sometimes painfully slowly — from a small, scattered set of classes into a recognizable training ground for actors, musicians, dancers and designers who now work across Pakistan and abroad.

This renovation isn’t just an upgrade; it’s a statement of intent.

Karachi wants to be taken seriously as a cultural hub, not just an entertainment stopover. And giving artists — especially young, underprivileged ones — a professional space to learn and experiment is a step that could reshape the city’s creative trajectory.

In many ways, SOVAPA’s new building symbolizes something larger: the belief that art deserves real infrastructure, real support, and real vision.


A Night That Ended With Hope

As guests filtered out after the ceremony, the courtyard was still alive with conversations — older actors greeting former students, young designers taking selfies under the new signage, musicians discussing future collaborations.

If you stood there long enough, you could feel it: a sense that this wasn’t just about a building reopening.
It was about possibility.

And for Karachi’s artists, that’s something worth celebrating.

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